George Harrison’s post-Beatles career as a film producer, composer and occasional actor will be celebrated over the course of a 10-day film festival next month in Beverly Hills.
Focusing on the output from the HandMade Films studio Harrison set up with business partner Denis O’Brien, the (Other) HandMade’s Tale festival, organized by English producer, humorist and Beatles authority Martin Lewis, will run Oct. 10-20 at the Ahrya Fine Arts Theatre.
It will showcase several group and solo films from the Monty Python team that Harrison’s involvement helped realize, as well as other titles that launched the careers of British actors Bob Hoskins and Helen Mirren and director Neil Jordan.
The festival kicks off Oct. 10 with the premiere of “An Accidental Studio,” a new documentary about the creation of HandMade by Bill Jones (son of Python member Terry Jones) and Ben Timlett, who will take part in a postscreening Q&A session. The evening also will include “Two Live Pythons,” a taped Q&A shot in London with Python alums Michael Palin and Terry Gilliam plus musician-actor-producer and HandMade executive Ray Cooper, who appeared in several films from HandMade details
Abbey Road brought The Beatles together one last time for the creation of “Abbey Road”, their eleventh album which was released 50 years ago this month. This album featured two songs written by George Harrison: ”Here Comes the Sun” and ”Something”, a song that was revered by all of the band members and has been covered by countless artists. Sir Paul McCartney and Sir George Martin created a 16-minute medley on side two, comprised of bits and pieces of songs that were never completed.
“I Want You/She’s So Heavy”, an 8-minute John Lennon song with only 14 words, is one of the most unusual songs on the album. It was one of the last songs to be completed for “Abbey Road”. The album closes with a 23-second hidden track that reveals itself after 17-seconds of silence.
Aside from the songs, the album cover itself had its own story. Shot by Iain McMillan, it fueled the flames of the “Paul is Dead” conspiracy that began with supposed “clues” from other album covers. Conspiracy theorists pointed out that for the “Abbey Road” album cover, Paul is out of step with the other band members, leading with his right leg instead o details
Had it not been for a very tight deadline, the now-iconic cover design for the Beatles' classic album Abbey Road might have appeared quite differently today, according to John Kosh, the former creative director for the band's label Apple Records. Back in 1969, he was conceiving the look for the next Beatles album titled Get Back when he later found out that it was being replaced on the release schedule by a new record called Abbey Road. Now Kosh had to quickly come up with a brand-new design before the record hit the shops. “I suddenly found myself, 'By God, I've got to do this and get it out on Wednesday?’” he recalls today. “That's how it all happened.”
Featuring Kosh's understated yet groundbreaking design and the famous photograph by the late Iain Macmillan, Abbey Road is one of the most recognizable album covers of all time alongside the Beatles' Sgt. Pepper's Lonely Hearts Club Band and The Beatles (a.k.a., The White Album). On its 50th anniversary this year, Abbey Road is being reissued this Friday in a number of configurations—including a super deluxe edition set containing a newly-remastered version of the album on CD and Blu-ray a details
John Lennon was a legendary singer, songwriter and peace activist. December 8th of this year will be the 39th anniversary of iconic musician and co-founder of The Beatles John Lennon’s assassination and death. Here, MusicSnake Magazine put together a list of top 15 facts you probably didn’t know about John Lennon.
Number One: John Lennon Didn’t Like the Sound of His Own Voice. Apparently, he was never happy with the way his voice sounded, and this is why the musician liked to double-track his records. He’s reported as once having asked producer George Martin, “Can’t you smother my voice with tomato ketchup or something?”
Number Two: Paul Goresh Was the Last Person to Take His Picture. John Lennon was signing an album for Mark David Chapman who would assassinate him when he was photographed by Paul Goresh.
Source: MusicSnake Magazinedetails
Late in the Beatles’ time together as a band, John Lennon grew dead-tired of Paul McCartney’s whimsical, bouncy pop songs. In fact, John began openly mocking songs like “Ob-La-Di, Ob-La-Da” for all studio personnel to hear. (He called these tunes Paul’s “granny music s**t.”)
While laying down tracks for Abbey Road the following year, Paul ran into a lot of resistance from the other Beatles during the lengthy sessions for “Maxwell’s Silver Hammer.” John, who was still recovering from a car accident, opted out of the recording altogether.
Though they later spoke of how much they hated the track, Ringo and George Harrison soldiered on and finished “Maxwell” with Paul. However, the irritating nature of the song hung over the band after they completed Abbey Road.
In a recently discovered audio recording of John speaking with George and Paul, John is heard saying what a drag it was for them to do “Maxwell.” And he said everyone would be better off if Paul found other artists to sing such songs in the future.
The 25-year veteran of the music industry-turned cabbie and tour guide (and now shutterbug) stood in the middle of the street, lining four of us up. “Wait, which leg are we starting with?” I quickly asked. This photo, after all, takes some coordination.
On the count of three and with cars waiting we took off on the right foot, swinging our arms in time like countless tourists have done before us, recreating the "Abbey Road" album cover, nearly as infamous as the Beatles themselves.
Fifty years later, that iconic album — the last the Beatles made as a group and released in the UK on Sept. 26, 1969 — still resonates. And tracing the city’s music history remains a favorite pastime for many visitors.
“I kept getting asked, especially by American tourists, about Abbey Road and on the way to Abbey Road I would say ‘do you know Paul McCartney lives around the corner? Do you know where Jimmy Page lives? Do you know where Freddie Mercury’s house is?’” Channell, who runs Rock Cab Tours, told Travel + Leisure. “And of course I had this wonderful light bulb moment, I said, ‘You know what, there’s a bit of a business in this.’”< details
The iconic drummer of The Beatles, Ringo Starr involved in the astonishing project alongside 10 different musicians from 10 different countries.
Here is what’s written on the project’s official YouTube account, Playing for Change:
“We’re excited to share our newest Song Around The World, “The Weight,” featuring musicians performing together across 5 continents.
Great songs can travel everywhere bridging what divides us and inspiring us to see how easily we all get along when the music plays.
Special thanks to our partner Cambria® for helping to make this possible and to Robbie Robertson, Ringo Starr and all the musicians for joining us in celebrating 50 years of this classic song.”
They also indicated that they are dedicated the project to legendary “The Band.”
Source: Enes K/metalheadzone.comdetails
An uncovered Beatles recording of a conversation between John, George and Paul in 1969 sheds new light on their breakup and challenges previously accepted notions, especially concerning Yoko Ono. The Beatles are still one of the most famous bands in the world. But the way it ended for the Fab Four is viewed as far from harmonious.
It’s believed personal and creative tensions ran high, with the arrival of Yoko Ono in John Lennon’s life playing a key role in the split. However a newly-discovered recording seems to tell a different story.
Mark Lewisohn – author of The Beatles: All These Years (2013) – played the ear-opening evidence to The Guardian. Events took place in 1969, following completion of their last album Abbey Road… 50 years ago this month.
Source: Vintage Newsdetails
He had not voted in the referendum, he said, as he "didn't see anybody saying anything sensible enough".
Sir Paul said the current situation was "a mess" but added: "I think we'll come through it, we always do."
The former Beatle was speaking to BBC News as he - with daughters, Stella and Mary - released a book of personal photos, taken by his late wife, Linda.
Reflecting on the 2016 Brexit vote, Sir Paul said the arguments made during the campaign had been "all crazy promises".
"What put me off was that I was meeting a lot of older people, kind of pretty much my generation.
"And they were going, 'All right Paul - it's going to be like it was in the old days, we're going to go back.' And it was like, 'Yeah? Oh, I'm not sure about that.' And that attitude was very prevalent.
"I vote for someone I believe in and so often there's nobody I believe in. I have to get a bit inspired. At the moment I'm not really inspired."
Source: BBC Newsdetails
Every Beatles fan can hum a classic George Harrison guitar part. Whether it’s the jangling solo from “A Hard Day’s Night” (1964) or the gorgeous closing moments of “The End” (1969), George had so many standout moments with the Fab Four.
However, it didn’t always come easy. During the sessions for Revolver (1966), Beatles engineer Geoff Emerick described how George drove everyone in the studio nuts trying to record a backwards guitar solo for “I’m Only Sleeping.”
“At the best of times, George had trouble playing solos all the way through forwards,” Emerick quipped in Here, There and Everywhere. With Paul McCartney ready, willing, and able to take a solo off George’s hands at any moment, George had some rough days in the studio over the years.
George’s fascination with Indian music didn’t help matters. From the time he played sitar on “Norwegian Wood” (1965) all the way up to The White Album (1968), George admittedly let his guitar technique slip.
How do you separate fact from fiction about a group that has arguably become the world's biggest band, The Beatles? I've told this story before, but it bears repeating as one of the most underrated moments in rock 'n' roll history.
Since the band's inception well almost 60 years ago, there have been thousands of accounts from the international tabloids, overwhelmed venue owners, miniskirted blondes, flabbergasted hotel maids (what they were called at the time), intense production people and countless other "firsthand" resources. Even though the band was really only together just a few years (formed in 1960, first hit in 1962, "Love Me Do," exploded in America in 1964 and they broke up in 1969-70), the number of behind-the-scenes stories outnumber the amount of days the band was in existence altogether.
Source: Ron Onesti/dailyherald.comdetails
It previews next week's deluxe reissue of 'Abbey Road'
A new mix of The Beatles‘ ‘Come Together’ by Giles Martin has been released, alongside an alternative take of the 1969 classic.
The release comes ahead of the 50th anniversary reissue of The Beatles’ landmark album ‘Abbey Road’ next week (September 27).
Martin, the son of late Beatles producer George Martin, has mixed the whole of ‘Abbey Road’ from the original master tapes, alongside engineer Sam Okell.
As well as Martin’s new mix of ‘Abbey Road’, a new deluxe version of the album adds 23 session recordings and demos. These include Take 5 of ‘Come Together’, which is the other new version of the track released today.
A new documentary is peeling back the curtain on the untold story of John Lennon's 1971 album, "Imagine."
In "John & Yoko: Above Us Only Sky," fans will be able to learn more about Lennon and wife Yoko Ono, as well as how the intensely private couple leaned on each other personally and professionally while making the groundbreaking record.
Emmy winner Michael Epstein directs the film -- which premiered on A&E in March -- with a focus on what he calls a "pivotal year" in Lennon's life.
JOHN LENNON WAS ‘ABSOLUTELY DEVASTATED’ OF LOSING HIS MOTHER IN A TRAGIC ROAD ACCIDENT, BOOK REVEALS
"It's a year just after the Beatles have broken up. And just before [John's] going to move to the United States. The film does touch on why John loved [Yoko] and what their union was. And why Yoko saved John," Epstein explained to Fox News.
"It was more than just a love affair," he added. "You know they were artists who worked together and I think John was able to find his voice through Yoko. She helped him fully realize himself as an artist and I know that a lot of Beatles fans ... hate that notion the idea that she took him from us."
Source: Jessica Napoli/foxnews.com
“I always used to say to Linda, ‘When are we going to look at these? We’ve got millions of them.’” Paul McCartney is recounting conversations he had with his late wife, who from the late 1960s onwards documented the family’s everyday life on a Polaroid camera. “We kept saying, ‘Oh we’ll just take one day a year when we look through all our photos.’ Linda got a Polaroid camera shortly after we met. In the early days, it was a great fun thing for anyone to have one, just because of the magic of watching it develop. But being a photographer, she did more with it than most people would, she was very intrigued by the whole thing.”
Some 200 images taken by Linda are now the subject of a new book, Linda McCartney: The Polaroid Diaries, which has been curated by Paul along with his daughters, Stella — a fashion designer — and Mary — a photographer. Everything from the family’s summers spent in Scotland, to more rock-and-roll images of Steve McQueen and Ronnie Wood, are included. “The book is very personal, because it shows these incredibly intimate moments with our family that were captured by our mum,” says Stella. “Look details
New revelations are emerging on how the Beatles broke up after the Abbey Road album 50 years ago.
A definitive new book, with publication to coincide with the new Abbey Road 50th anniversary album, shatters myths about the end of the quartet. As reported, the 11th studio album by the group is out on September 27 with dozens of extra tracks and unheard outtakes.
The Beatles have sold more than 800 million albums worldwide, the most successful band in history. John Lennon’s heroin addiction, which sometimes kept him out of the studio, was far more of an issue than Yoko Ono’s constant presence when the couple was there, according to the Beatles historian Kenneth Womack. Contrary to many reports, Lennon did not hate the long Abbey Road Medley that was created mainly by Paul McCartney and the producer George Martin. Far from ending in total acrimony, Lennon even suggested another album offering four songs each to himself, McCartney and George Harrison, and even two to Ringo Starr “if he wants them.”
When NBC canceled The Monkees in 1968, after just two seasons, Micky Dolenz – a California child actor turned teenage pop sensation – might well have joined Jay North, Paul Peterson and Johnny Crawford on the scrap heap of singing TV has-beens.
That, of course, is not what happened. Fueled by ever-ripening ‘60s nostalgia, the Monkees records – many of which were wonderfully written and sung – have remained in high regard, and have continued to sell consistently, if not spectacularly.
All of which adds up to a relatively consistent five-decade career for George Michael Dolenz Jr., who’s 74 years old but as impish and eager to entertain as ever. Not long ago, he finished another cross-country Monkees reunion (with Michael Nesmith, the other surviving member of the quartet) and on Sept. 24, he’ll perform at Ruth Eckerd Hall with a traveling musical circus called It Was Fifty Years Ago Today – A Tribute to the Beatles’ White Album.
he John Lennon Educational Tour Bus (Lennon Bus), the premier non-profit 501(c)(3) state-of-the-art mobile production facility that provides hands-on creative experiences to students of all ages, returns to New York City Hall for the launch of the sixth annual Come Together NYC month-long residency on September 16, according to Yoko Ono Lennon.
This year’s launch event, entitled Imagine A City With No Gun Violence!, began on board the Lennon Bus with a roundtable discussion bringing student activists and elected officials together with the Bronx-born musical artist Prince Royce to discuss the next steps needed to end gun violence. The event then moved outside to the steps of New York City Hall for a program featuring the participants in the roundtable including Councilmembers Daniel Dromm, Mark Treyger, and Alicka Ampry-Samuel, along with over 200 students from all five boroughs coming together to inspire student activism in honor of John Lennon, who was killed by gunfire.
In the summer of 1968, the other three Beatles watched as Ringo took off for Italy after taking flack from Paul McCartney for the drum part on “Back in the U.S.S.R.” When George staged his own walkout early the following year, people around the band couldn’t help thinking the end was near.
To Geoff Emerick, the legendary engineer behind Sgt. Pepper’s and Revolver, the happiest he remembered John and Paul toward the end was early ’68, when they were recording “Hey Bulldog.” Prior to the heated White Album sessions, the old songwriting partners/friends still had their moments.
A lot changed with the arrival of Yoko in the studio, and true Lennon-McCartney collaborations became fewer and farther between. However, early in the Abbey Road sessions, John and Paul found that old spark. It happened when they picked up a crazy old song from two years earlier.
If you ask a Beatles fan or even a casual music listener why the Beatles broke up, they’ll probably have one simple answer: Yoko Ono. John Lennon’s second wife Yoko was an artist in her own right and was famous for sitting in on the Beatles’ recording sessions. Because of the tension this created between the group, numerous commentators have blamed Yoko for the band’s dissolution. Paul McCartney has repeatedly said that the Beatles did not break up because of Yoko, but does this mean that the two singers are friends?
When Yoko first insisted on entering the studio during the Beatles’ sessions, Paul was annoyed. He told CNN “We weren’t sexist, but girls didn’t come to the studio — they tended to leave us to it. When John got with Yoko, she wasn’t in the control room or to the side. It was in the middle of the four of us.”
Paul would later admit that these experiences caused him to harbor some ill-will towards Yoko. He said that he found her presence in the studio “intrusive,” though he understood that her behavior stemmed from her intense romance with John.
Source: The Cheatsheet
Beatles impersonators recreate the iconic "Abbey Road" photograph made 50 years ago Aug. 8 in London, where fans continue to flock to the famed zebra crossing near Abbey Road Studios. (Leon Neal / Getty Images)
We popped up from the London Underground station of St. John’s Wood and noticed right away that we were in a leafier part of England’s capital, outside the congested city center.
Just about a five minute walk down Grove End Road, we came around a curve and there it was: the unmistakable zebra crossing of Abbey Road.
Fifty years ago Sept. 26, the Beatles’ “Abbey Road” album was released, showing, on the cover, George, Paul, Ringo and John jauntily striding across this very crosswalk in what would become one of the most iconic photos in rock ’n’ roll history.
Source: John Biemer/chicagotribune.comdetails
When George Harrison asked his friend Eric Clapton to play the guitar solo on his new song, Clapton was understandably nervous about the situation. After all, The Beatles weren’t known for guests playing on their records. It basically hadn’t been done, and Clapton wasn’t keen on being the first to try.
However, George finally convinced him to shrug off these concerns and deliver the memorable solo on “While My Guitar Gently Weeps.” Of course, that’s only part of the story. Beatles fans would be right to wonder why George needed anyone to solo on his latest composition.
For one thing, George was the Beatles’ lead guitar player. By the time of these White Album sessions (summer 1968), just about everyone on the planet knew what George played in the Fab Four.
Grow Old With Me is latest collaboration between the surviving Beatles members
Sir Paul McCartney and Sir Ringo Starr have reunited to record a cover version of a song written by John Lennon in the final year of his life.
The track marks the latest collaboration between the two surviving members of the Beatles and goes some way to reuniting the musical talents of the Fab Four, since part of a George Harrison song is also reprised on the recording.
Lennon wrote Grow Old With Me during the recording sessions for Double Fantasy, the final album he made before he was shot dead outside his apartment in Manhattan in December 1980.
Starr, 79, said he had not been aware that Lennon recorded a demo version of the song until he was played it by the record producer Jack Douglas, who produced Double Fantasy, which was co-written by Yoko Ono, Lennon’s widow.
Source: Mattha Busby/theguardian.comdetails
While The Beatles stayed together long enough to make The White Album, Let It Be, and Abbey Road, it doesn’t mean they enjoyed it. In fact, by the beginning of that run in 1968, the Fab Four had just about had it with each other.
That became easy to see during the sessions for The White Album, which Paul McCartney had dubbed (without exaggeration) “the tension album.” After all, he and John Lennon nearly fought in the studio while running through endless takes of “Ob-La-Di, Ob-La-Da.”
In early ’69, things hadn’t improved much. If you can’t tell from Paul and George Harrison arguing in the Let It Be film, the hushed-up tale of John and George’s fistfight should fill in the blanks.
By the summer ’69 sessions for Abbey Road, John wasn’t pretending to care and sat out on Paul’s goofy “Maxwell’s Silver Hammer.” As for George and Ringo, they braved through it but savaged Paul’s song later.
One of the most entertaining hypotheticals for Beatles’ fans to discuss is what the Beatles would have sounded like or recorded if they had stayed together after the release of Let It Be.* In a sense, this is an even more fruitless counterfactual than another popular one: What songs would have been on The White Album if it hadn’t been a double album (which I have already covered). Unlike the case of that what-if, the songs the Beatles would have done together were never released as Beatles songs. And to imagine the Beatles staying together after 1970 is to wish away the centrifugal forces that had by that point already largely torn the four musical titans at the band’s center apart.**
But Beatles’ fans such as myself speculate nonetheless, aided by morsels such as collaborations between members after the break-up (most notably in the almost-Beatles song “I’m the Greatest!”), and demos of songs that later became solo work but were conceived or sometimes even recorded while the Beatles were still together (e.g., much of George Harrison’s first post-Beatle solo album, All Things Must Pass).
“Let me take you down, ’cause I’m going to Strawberry Fields” urged John Lennon in 1967. Now, for the first time, everyone will be able to walk in his footsteps, when the gardens immortalised in the classic Beatles song are opened to the public on 14 September, alongside a new visitors’ centre, cafe and shop.
Housed in a sleek, modern, light-filled building, it is a stark contrast to the original Gothic mansion that stood there when Lennon was a young boy and would bunk over the wall to climb trees and play hide-and-seek in its garden. Built in 1878 for a shipping magnate in the wealthy Liverpool suburb of Woolton (the family of prime minister William Gladstone lived nearby, in another long-gone pile) it was bought by the Salvation Army in 1934 and turned into a children’s home.
Lennon lived round the corner with his Uncle George and Aunt Mimi, and as well as sneaking into the garden with friends, he loved the summer fete held at Strawberry Field (in the singular, Lennon added the “s”). His aunt once recalled: “As soon as we could hear the Salvation Army band starting, John would jump up and down shouting, ‘Mimi, come on. We’re going to be late!&r details